I bought this pedal as a gift for a friend, but I couldn’t help bringing my Casino and trying it out. This pedal really nails that Beatles Revolver era tone! Awesome job Aclam, and thank you Sound Shoppe nyc for not only stocking this, now hard to find, pedal but also for getting it shipped so quickly.

This is an incredible sounding pedal - as are all Lauren Audio pedals.
Dealing with Sound Shoppe NYC was also a great experience. Highly recommend them.

Meets Every Bassist EQ needs, no joke. The boost, The HPF and LPF are so necessary and the EQ sweeps are perfect for bass. I haven't tried the pultec Trick with this one but I'm not sure it could do that. It noise-free and I appreciate the line driver. I do wish the boost was independent.

I’ve owned a couple of Alexi’s pedals, but man this one’s just pure craziness and I love it! Been hunting for one ever since he announced it, and I’m just happy I finally got my paws on it!

Most of the descriptions, I’ve read about this pedal talk about how chaotic it is, and how part of its magic is embracing the chaos. I own several ezhi & aka pedals(I love them all) and I actually feel like that this one is the most tamable. If you’re willing to spend a couple hours understanding it, it’s a pretty remarkable and special pedal. I’ve been using it after the empty head big talker and they make for an amazing combo!

The Aerocomet is Lauren Audio’s take on the legendary preamp section of the 1176 Rev. A (Blue Stripe) compressor — a studio classic known not just for its compression, but for its unmistakable harmonic coloration when used with compression bypassed.

This pedal distills that magic into a fuzzable preamp format, with a variable gain control that moves from subtle warmth and girth to full-on breakup and fuzzed-out drive. A low-pass filter helps tame the top end, letting you shape the harmonic content and tone contour with surgical precision.

Tonally, it emphasizes low and midrange heft, adding saturation, richness, and an almost tape-like density. Whether you’re after amp-pushing thickness or blown-out vintage saturation, the Aerocomet delivers with studio pedigree and pedalboard punch.

Running for 78 isn’t your typical do-weird box. It’s a CD skip / glitch / sample rate reducer pedal, built around a 12-bit obsolete delay chip and a 256kbit memory IC — all to recreate the sound of a portable CD player skipping as you sprinted for the bus, Discman bouncing on your belt.

The result? Crushed fidelity, signal destruction, and glitchy modulation that can be controlled either by envelope or by waving your foot over the built-in IR sensor. The pedal slices your signal into stuttering, broken bits — turning riffs into broken loops, rhythms into spasms.

At lower settings, it delivers subtle lo-fi tone degradation. Push it, and it devolves into beautiful sonic anarchy. Notes collapse, repeat, skip, or fall apart depending on your dynamics or motion.

A pure example of experimental design — it’s reactive, chaotic, and strangely musical in all the wrong ways.

The B100 masterfully channels the iconic Neve B100 preamp tones into a pedal format. With its versatile input and gain controls, it delivers a spectrum from smoky overdrive to a massive wall of fuzz. Hand-assembled with vintage 2N404A transistors and premium components, this pedal offers both classic warmth and modern clarity with bags of low end.

I’m loving experimenting with this and my other gear. Everything I already owned sounds unimaginably unique from anything I was hearing before.

The Rec Head V2 stands out as one of the most enjoyable lo-fi modulation pedals available. It’s responsive, playable, and richly textured. Whether you want subtle tape aging or full glitchy chaos, this pedal lets you explore cassette charm with a musical twist.

This pedal has opened up some very interesting territory for me and my electric cello, and I feel like there is still a lot more to discover. I’ve been promoting it to other low end players, and there has been a good bit of excitement.

The desert rock sound I’ve been chasing
Great for bass also !

I owned a Box of Rock and this is very similar but with less compression. I leave it on all the time and it makes my other pedals sound better

Ordered the George Harrison Go Rocky Go pedal, and received within 24 hours. The pedal works great; already using it to record in the studio. Will definitely do business again.

This is a super-cool phaser and vibrato machine! It certainly can get a lot of the “classic” sounds you would expect, but you can also go much deeper and get into some pretty weird territory, which is fun, too! You get a lot of control and tweakability of the filters and the two expression pedal inputs are a nice touch as well. Certainly, a worthy pedalboard addition!