Great experimental toolbox. In combination with other pedals like for example strange Reverbs and analog delays or even more granular ... it gives endless exploration to discover. Built very well. Even if there so many also nice software around, its really nice to manipulate in realtime, thats why i love it most for.

Sure, there are other pedals out there that can do reverb and granular trickery. But the Ricorda gets all the details right and offers effect order flexibility to make this pedal so powerful. The freeze and loop functions almost add a sevond pedal inside the same enclosure. Really great!

The Dawner Prince Boonar V2 is absolutely awesome. It captures that rich, atmospheric Binson Echorec sound while remaining easy to dial in and practical enough for a modern pedalboard. The repeats have incredible depth and character without getting muddy, and the multi-head combinations create everything from subtle ambience to huge, hypnotic rhythmic delays. It sounds especially great for Pink Floyd tones, but it is far more versatile than that. Beautifully built, inspiring to play, and easily one of the best delay pedals I have owned.

Sound Shoppe NYC always ships quick in thoughtful packages.

Stellar fuzz!! Loud, gnarly, and alot of fun. The touch pad offers an awesome studder effect and great for noise. Highly recommend!

I’m using this pedal for drone like resonance, and it is put in a relatively front position in terms of the signal chain. Try it with muffs after and you might find a very dreamy sludge sound.

Also very fast shipping from SoundShoppe.

Actually very versatile if you keep the main settings low. Love the pressure pads added to my tool bag

Like everything from Ezhi and Aka it's a crazy fun wild pedal that can be normal but where's the fun in that? It loves to be played with and tweaked. I highly suggest picking one up!

Love all the different tones I get out of this pedal. really like the distorted tones.

ezhi&aka make some of the most inventive pedals out there. (“Out there” being the operative phrase.) They describe Running for 78 as producing the sound of a skipping CD player - as in when you’re running for the #78 bus. But that sells this pedal short. To my ears, it is the corrosion on your tin can telephone. It’s sun spot interference in the signal of the cosmos. It’s fizz and rust and rattle. And it is beautiful. It takes the cleanest of signals and returns them as if they’ve lived a life of hard knocks and hard-won wisdom. A fantastic tool in the sound shapers kit.

Great, heavy fuzz with a subtle octave effect. With the octave turned up, oscillation shows up to produce a dynamic texture. Fantastic for a bit of controlled chaos. Shoegaze-friendly for building a wall of sound.

I love the Dawner Prince Boonar. The pedal is small and provides many useful and lovely tones that bring moments of joy.

The Aether is a fun, quirky delay that turns ordinary repeats into warm, warped little ghosts. The modulation is the real magic—especially the unpredictable Stray setting, which makes every trail feel slightly alive and off-kilter. It is not a pristine delay, and that is exactly why it rules: put it before a big reverb and suddenly your guitar sounds like an old sci-fi soundtrack melting in slow motion.

Super versatile dirt pedal. Can get some pretty straight ahead usable tones or flow into some synth like fuzz. The gate option alone has made this a ton of fun to explore and play with. I've been using it on my bass of late and it's just a fun box of tricks. Looking forward to many more hours exploring this one.

I know. Powerful claim.

But I buy, sell, and trade a whole lot of pedals in my near mad quest to perfectly outfit my sound lab for what I do, and...

...this reverb will never get sold or traded away.

Simply, it's different. And better. And more nuanced. And significantly more textured, ethereal, atmospheric, and just plain useful. Anymore, reverbs and delays I end up adoring and keeping invariably have some element of randomness to them, and Seafarer is no exception...

...a perfect blend of aesthetics (yep, they matter to me), build quality, clever labeling, elaborate control scheme (but no menu diving), remarkably rich gain circuit, incredible LFO and modulation, and... probably THE best ramping swell function I've yet heard in a pedal.

Honestly, the kind of pedal where I feel like I got the far better end of the deal for the price.

If you're a reverb freak, well... you're remiss without this one, mate.