Alternative Effects for Musicians Who Dare to be Different!
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EZHI & AKA Exclusive.. BROMDIHYDROCHLORPHENYLBENZODIAZEPINE
Let customers speak for us
from 497 reviewsLove the pedal. It was pretty clearly designed to produce the gnarly sounds of the Revolver/ post Revolver Beatles, but the more clean tones are great, too. In particular, absolutely love the mid range boost options. Sound Shoppe was an awesome retailer - shipment was perfect and fast. I would absolutely shop there again.

It’s always a bit of a risk buying first time and sight unseen from a retailer you haven’t been able to visit. That they reached out, are very responsive, shipped quickly and followed up is exactly the kind of experience I was hoping from from a high end boutique retailer. The pedal selection is vast and offers an array of brands that you can’t find elsewhere. My tape echo arrived in perfect working order and has been an amazing and long anticipated addition to the home studio. Will definitely be a repeat customer.

I initially bought this to use on both guitar and bass, splitting the signal, running each frequency band through different effects, then sending the output to one amp. You can achieve a lot of interesting and usable sounds this way. Also, as other reviewers have noted, it's particularly effective on bass.
However, when it really came alive for me was when I tried sending each frequency band to different pedals and then (without plugging them back into the returns on the XO) each of those pedals to different amps. With different types of modulation on each frequency band, and the amplifiers being placed apart, it gives a full three dimensional sound which is very different from what you get when summing it all to one amp. If you have access to a third amplifier, there's even the possibility of sending out the full range signal to a third amplifier and using a different pedal in front of that.
Currently I have it set up before a ZOIA, with the high and low frequency sends from the XO being processed separately on the left and right channels of the ZOIA, and sent out as separate mono signals.
Once you start experimenting with it, it's easy to come up with new ways to use it. I've had to talk myself out of buying a second one because I find it that useful.

This delay is well reviewed so I’ll describe my use case and why this delay works well for me. The nemesis is one of the few delays that has allows for the dry signal and a wet/dry signal to be assigned to different outputs. When implementing two delays in parallel and in mono - the nemesis feeds a dry to my collider and then I sum everything back into a true spring. So essentially three delays in parallel.

Quirky and fun pedal. Gain range goes from almost clean to full on fuzz. Its emphasis is on the bass, plenty of bass coming through, however, it does not sound dark. The mids and the highs are also coming through really well. And you can hear notes and complex chords really well, no matter how high the gain is set.

Still working out the kinks, but great fuzz sound. So very different from my other fuzz pedals. Get it.

This is a great fuzz. It's super thick and gnarly. Make sure you turn up the knobs before you think it doesn't work. Wink wink.

This pedal sounds very similar to two other pedals I have in my possession currently, the Wampler Germanium Tumnus Deluxe (whichever one is the Fairly Limited Edition version with the small batch of NOS diodes or whatever they were, it's not right in front of me at the moment so I may have written the name wrong) and my BYOC (Build Your Own Clone) Rams Head Big Muff Pi. I feel fairly confident that with the knobs all adjusted properly I could get an almost identical sound out of any of the three, although interestingly enough, the byoc pedal seems to switch on and off most quietly and generate the least amount of amp hum of the three. Although that may not be the case if I tried to adjust it to the exact same levels and tone that I have the Good/Bad adjusted to. Nonetheless, the Good/Bad seems like a quality pedal for a reasonable price. If you're looking for that fuzz face tone, the Good/Bad can make it happen. Considering the price some other Fuzz pedals sell for, I would say this one makes a pretty good sound for only $169.

The trem sounds are beautiful but what really sets this pedal apart Is the incredible interference patterns you can make with this thing. And depending on whether you put this in front of or behind some other modulation based effects, you could really dial in some very particular and special sounds.

The fuzz tones from the pedal are unreal, it’s truly a textural machine! The way the octaves blend in, while not taking over the signal, is groundbreaking. Can’t recommend enough!

Centerpiece of the fuzz section of my board. Overtone function is a nice bonus as well. Hard to find a better pedal out there for fuzz.

Beyond satisfied! What a wonderful sounding & stellar looking synthesizer!

fantastic pedal! and the website and shipping are really quick, plus they have alot of rare pedals.

If you're a Muse fan, this is it.
It's great on low gain too.
