Alternative Effects for Musicians Who Dare to be Different!
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EZHI & AKA Exclusive.. BROMDIHYDROCHLORPHENYLBENZODIAZEPINE
Let customers speak for us
from 449 reviewsI don't like most drive pedals, I love this one. Best drive pedal I've ever used, hands down.

This pedal has such a special sounding and harmonic richness.

Delay that Rock hard ! Bit crusher and wild modulations add amazing sounds to my synth! Shiped right away, great packaging and rare pedal ,keep being sickk guys

Originally I bought it with the intent of using it as distortion, but I ended up liking it more as a low-gain overdrive. It can also do a really awesome fuzzy sound. The blend and tone knobs give you enough versatility for the money.

feels like its own voice, somewhere between the OC-2 and the EBS octaver. the octave sound has a similar character to an OC-2 but it's fatter. plenty of output available for both octave and dry signal. tracking is really good right to the low A.

Got this pedal the other day and am still just getting a handle on all that’s happening here. The initial selling point for me was the LP/HP filter and it does not disappoint. It’s a powerful tool that really sets this thing apart from a lot of the other “lo-fi” pedals I’ve experienced. I’m particularly enjoying the low pass filter with the bit crusher. Just be prepared for a pretty huge volume jump when you engage that bit crusher. I suppose if I had one complaint thus far ,it is the fact that there are some jarring lag/volume jumps when you engage those toggle switches which might make it difficult to manipulate the pedal in real time in a recording/performance situation.
But overall, there is tons to explore here and there seems to be ample opportunity to dial in some pretty subtle one of a kind sounds with this pedal. If you are looking for a sophisticated sound shaping tool then the Wardenclyffe Delux might be the pedal for you. I have a feeling that I will be exploring its capabilities for a long time. Which I find super exciting!

I spent an hour or three playing with this after it arrived [just TWO business days after ordering] and on its own is fabulously magical. I haven’t read the manual yet but even whilst goofing around I managed to a good old-fashioned cramp in the smiling muscles. Looking forward to diving in deeper and marrying it to other processing in my rig.

Adds interesting depth to your playing, I think if you like adding phase to things like solos for some extra movement, this is an awesome augmentation to that as the randomization makes things way more interesting for both the listener and the player

not just a harmonic percolator to do albini stuff with, but also a source of your favorite '90s solid state amp metal sounds (schuldiner, etc.) and harsh early metalcore tones
one of the few rare perfect pedals

Incredible lower gain Fuzz Face that stacks fantastically with your amp and other pedals. Features the earliest example of Mullard silicon transistors. A very cool pedal!

I use it for my bass. It has just two knobs, it’s simple, and sounds incredible!! If you play in a band that leaves a little room for the bass player to take a solo every now and again, just flip this on and have a blast.

If you're looking at this pedal you probably already know about Ezhi & Aka. This pedal isn't for everyone, but it's for me and those of like minds. The people who like to communicate with spirits. Do those communications always make sense? No, but you keep speaking and you keep listening, and you keep hearing insights that can come about no other way. This one is for the adventurous curators of found sounds. Those who like to play in other worlds and get lost in abstract communications.

Excellent pedal. Fantastic built quality. The smoothest knobs on any pedal I have ever owned.
Sonically, there is a lot to explore. The slightest change of knob position leads to new textures and harmonics. Hours of tinkering. It's a little lowfi with a moderate/high noise floor, but for most music you would put this pedal with - that does not matter at all.
I'd be keen to see a V2 at some point with expression control over knobs because that's where I think the true creative joy lies.

Truly a feat in tech, the polyphrase is incredible at performing long delays that goes into looping. The modulation can go from gentle to transformative through some really creative waveforms of vibrato.

I have an embarrassing number of fuzz pedals. It takes a lot to justify adding another to all the Tone Benders, Fuzz Faces, Big Muffs, octave fuzzes, wave rectifiers…you get it. But this OC201 is really something different, and aligns with my burgeoning love of preamp-type pedals. It sounds awesome, especially how you can crank the gain and still maintain a ton of clarity, even with chords and rhythm. Killer!
