Yesterday Effects has a great set of pedals, having previously purchased their unit shifter, defiant, and ms20 filter pedals - I can attest to the fact that there is a lot of attention to detail in getting these pedals sounding pretty spot on. The color theory is super handy , offers a lot of flexibility, recommended.

As good as it gets, and it’s stereo !

This is fantastic, less menu diving than I thought, it is complex of course but you can get amazing sounds relatively easy, love this pedal so far, makes excellent pair + Dream 65

Pedal is super sick. At my first play I wasn't sure. Wasn't even really needing another octave fuzz in my lineup. But damn this thing rips. The octave is lil diff sound to my ears than normal octave fuzzes. The volume on tap is a lot. This thing is a face melter if you want. You can dial it back but honestly I don't find that it calms down extremely and it excels better in the extreme tones etc. Def a keeper

Such as easy pedal to navigate for the granular responses that normally take a ton of effort to develop. Can’t recommend enough!

We need more dirt pedals that have a clean blend as it really open up unique tones.

This pedal is voiced so well and offers plenty of flexibility to dial it in just right regardless of the amp and guitar you are playing through.

It does low and medium drive so well and can be placed anywhere in your chain and be happy.

Would recommend!

absolutely fantastic pedal, best delay ive had in a very long time, i recommend it very much! it has 4 delay tape heads, degradation effects and other stuff. it can easily do normal delay but the controls can get abit overwhelming. but as for ambient

Sound Shoppe NYC is the best pedal shop I've ever dealt with

This thing is a beast. Sounds incredible, and the routing options allow it to punch well above its weight for the price. The software integration is seamless- this is a perfect desktop pedal to pair with a DAW to get hardware quality fx with VST-level control. Add in the routing and the double algo processing and it's basically a sound playground.

I do wish it had a dedicated power switch, esp since they actively market it as a desktop pedal as well as a traditional stomp, but it's a minor complaint.

Overall, I love it.

I was watching YouTube and saw a video of Rob Chapman demoing this and Ftelettronica's Utopian Fuzz. The boost /sound he was getting was awesome. Im no expert, just a newly retired father who hasn't played in 15yrs. Just as a test drive I plugged this thing into the front of a 1997 Mesa Boogie Maverick on the clean channel and using my 1996 PRS Custom 22. The pedal set to treble and level dial to 12o'clock. Every note was crisp and clear. You could play totally clean and attack the strings to get a seriously driven sound without adjustment. Turn the level to 3 o'clock and the amp is pushed harder than the amp in the other channel.
It sounds like I had a new rig. This boost really cleaned up the muddy lows of the dual rectifier. I still have more to explore. But like Rob Chapman said " This pedal creates more boost than you will ever need in your lifetime" He's right. You should check it out too.

Longsword V4.5

The Wave Cannon Zero is an absolute powerhouse of a fuzz pedal — raw, dynamic, and endlessly inspiring. It delivers rich harmonic saturation with a cutting edge that can go from velvety sustain to total sonic chaos with just a twist of a knob. The touch sensitivity and tonal range make it incredibly responsive, whether you’re chasing classic fuzz textures or experimental noise walls. Its compact design and intuitive controls make it a joy to use both live and in the studio. Simply put, the Wave Cannon Zero is a fuzz lover’s dream — bold, musical, and full of character.

I’m a bass player who loves experimenting with pedals, but I’ve always struggled finding bass specific versions of effects I'm interested in. Over the years, I’ve accumulated plenty of guitar pedals that just didn’t work well for bass. The Eastern FX Xo pedal completely solved this problem for me. The ability to split the signal so I can run effects only through the high end while keeping the lows intact opens up a ton of options. All the pedals that had been collecting dust sound are usable and sound great.

In addition, tonal quality of this setup is far more natural and musical than any “clean blend” circuit I’ve tried on bass-specific pedals. For me, blending a full clean signal with an effected one never quite felt right — but with the XO my tone sounds right to me.

If you’re a bass player who loves effects but hates losing low-end definition, I can’t recommend this pedal enough.

Got this not too long ago from Sound Shoppe. Now that I've had some time with it, wanted to leave a review.

What a great pedal and great pedal manufacturer. First this is different, so if your looking for something different, new sounding, this is up your alley. First, the tremelo is great. I use it a lot just in it's own. The random wave form on it is super interesting and just again, different. Don't hear that really ever with tremelos.

The wave folder is just so cool sounding. Highly dynamic and interactive to your picking pressure, volume knob roll off etc. You can get synth sounds, gated sounds, intense fuzzy distortion sounds. And when you combine it with the tremelo, or like I do putting other modulation effects before it, super interesting.

Lastly, want to shout out to Gismodio's YouTube channel. Super fun and helpful and positive vibes.

This is a keeper pedal :)

I was initially interested because it was a transistor-based overdrive (and not a fuzz). I know EAE and Benson both create great things, but this was my first foray with EAE drives (I've had a Benson fuzz).

First, the Benson Germanium Boost. This thing is subtle at most settings and, I did discover, sounds better at either the very beginning of your drive chain or the very end. By itself at most settings, it just adds a little sweetener to your tone, but if you push it, it really gives you some extra 'oomph.'

Second, the Halberd. After about an hour, my only real thought was 'How did it take me this long to get one of these.' John at EAE really is a wizard. This thing is versatile enough by itself to cover most drive settings you could need. I was able to finagle a lot of great sounds out of it. It goes from low-mid gain all the way to searing gain. But, when you push it with the Germanium Boost it just sounds *savage.* The best way I could describe the halberd, which I hear is based on a console preamp, is that it goes from a somewhat tame pushed drive all the way to blown out tweed sounding drive. The controls are real interactive so it takes you a minute to really dial it in, but when you do, it sounds really, really good.

Last, what does it sound like combined? I hate using words like this, but it's a good, 'greasy' classic rock sound. It feels real good under your fingers and sounds great too.

My big question is always this: If something happened to my board tomorrow, would this be a pedal I'd replace? My answer is absolutely. I could gorilla glue this thing to my gig board without second thought.