Digitech
Drop
Drop
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Pedal Features
Pedal Features
• 9 Drop Effect Settings
• Momentary On/Off Switch
• True Bypass
• Compact Design
• Solid Construction
• Included Power Adapter
Sample Rate: 44.1 kHz
Frequency Response: 20 Hz-11 kHz (Effect Enabled)
Signal to Noise Ratio: > -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A Conversion: 24-bit
Drop Tune Range: 1-7 Semitones Down, Octave Down, Octave Down + Dry
Input Type: 1/4” Unbalanced TS
Max Input Level: +5 dBu
Input Impedance: 1 MΩ (Effect Enabled)
Input Impedance: True Bypass (Effect Off)
Output Type: 1/4” Unbalanced TS
Max Output Level: +10 dBu
Output Impedance: 1 kΩ (Effect Enabled)
Output Impedance: True Bypass (Effect Off)
Dimensions: 4.75” (L) x 2.875” (W) x 1.75” (H)
Weight: 0.36 lbs.
Power Consumption: 2.3 Watts (< 250 mA @ 9 VDC)
Power Requirements: 9 VDC External Adapter
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Polyphonic Drop Tune Pedal
The DigiTech Drop is a dedicated polyphonic drop tune pedal that allows you to drop your tuning from one semitone all the way down to a full octave. Get down-tuned chunk without having to change guitars! The Drop also features a momentary/latching switch. With the switch set to momentary, you can turn the Drop into a true performance pedal. Fast trills and roller-coaster pitch dips are at the tip of your toes.
Drop Effect Amount LEDs: Shows which Drop effect has been selected using the Effect Selector knob, settings include:
1 - Transposes guitar signal down 1 semitone.
2 - Transposes guitar signal down 2 semitones.
3 - Transposes guitar signal down 3 semitones.
4 - Transposes guitar signal down 4 semitones.
5 - Transposes guitar signal down 5 semitones.
6 - Transposes guitar signal down 6 semitones.
7 - Transposes guitar signal down 7 semitones.
OCT - Transposes guitar signal down 1 octave.
OCT + DRY - Transposes guitar signal down 1 octave and adds dry signal.
The Digitech Drop is a pitch-shifting pedal that excels at dropping your instrument’s tuning on the fly, making it a strong tool for creative experimentation, studio work, and live performance. It lets you instantly match a song’s required tuning without retuning or swapping guitars, push an instrument beyond the physical limits of its neck scale and string gauge, and keep a setlist flowing without instrument changes.
In creative and writing sessions it shines as a quick way to audition lower tunings and lock in the right feel for a riff or song. In the studio the same flexibility speeds up tracking when multiple tunings are needed. On stage it is especially practical: one instrument can cover songs in standard, drop, or even more extreme tunings without the hassle of multiple guitars or mid-set retunes.
It is not perfect. When the pitch is pushed further down, artifacts and a less natural response become noticeable. At low volumes the mismatch between the physical vibration and acoustic sound of the instrument and the shifted signal from the amp can feel disconnected. These limitations are real and worth keeping in mind if you regularly work at extreme drops or practice quietly.
Beyond the functionality, the blacked-out version stands out aesthetically. Compared with the original bright Ferrari-red finish, the darker enclosure looks cleaner and more understated on a pedalboard, giving it a more modern, professional appearance without changing how the pedal performs.
Overall, the Digitech Drop remains a practical, effective solution for anyone who needs reliable drop-tuning capability across writing, recording, and performing. Its strengths in convenience and versatility outweigh the known trade-offs for most players, and the blacked-out finish is a welcome visual upgrade.
The Digitech Drop is a pitch-shifting pedal that excels at dropping your instrument’s tuning on the fly, making it a strong tool for creative experimentation, studio work, and live performance. It lets you instantly match a song’s required tuning without retuning or swapping guitars, push an instrument beyond the physical limits of its neck scale and string gauge, and keep a setlist flowing without instrument changes.
In creative and writing sessions it shines as a quick way to audition lower tunings and lock in the right feel for a riff or song. In the studio the same flexibility speeds up tracking when multiple tunings are needed. On stage it is especially practical: one instrument can cover songs in standard, drop, or even more extreme tunings without the hassle of multiple guitars or mid-set retunes.
It is not perfect. When the pitch is pushed further down, artifacts and a less natural response become noticeable. At low volumes the mismatch between the physical vibration and acoustic sound of the instrument and the shifted signal from the amp can feel disconnected. These limitations are real and worth keeping in mind if you regularly work at extreme drops or practice quietly.
Beyond the functionality, the blacked-out version stands out aesthetically. Compared with the original bright Ferrari-red finish, the darker enclosure looks cleaner and more understated on a pedalboard, giving it a more modern, professional appearance without changing how the pedal performs.
Overall, the Digitech Drop remains a practical, effective solution for anyone who needs reliable drop-tuning capability across writing, recording, and performing. Its strengths in convenience and versatility outweigh the known trade-offs for most players, and the blacked-out finish is a welcome visual upgrade.